Client: RPA / Honda
Usage: Promotional Posters
Art Direction: Sam McKinney and Walker Pfost
Art Production: Mara Serdans and Linda Hardwick
Illustrated posters commissioned by Santa Monica's RPA Advertising to promote the new Honda Civic Sport and Touring trims.
Client: RPA / Honda
Usage: Promotional Posters
Art Direction: Sam McKinney and Walker Pfost
Art Production: Mara Serdans and Linda Hardwick
Illustrated posters commissioned by Santa Monica's RPA Advertising to promote the new Honda Civic Sport and Touring trims.
Client: The Wall Street Journal
Usage: Editorial
Art Direction: Gil Fontimayor
'Watching the Lights Go Out' illustration for the Wall Street Journal's book review on 'The Life of Saul Bellow'.
Client: BBC Top Gear Magazine
Usage: Editorial - Full Page
Art Direction: Andy Franklin & Elliott Webb
Various map illustrations for BBC Top Gear Magazine.
Client: Hero Complex Gallery
Usage: Screenprinted Poster
Art Direction: Adam Smasher
18” x 36” ‘Crouching Tiger, Hidden Dragon’ inspired screenprint.
Client: Son of James / Loki Creative
Usage: EP Artwork
Art Direction: Paul Irwin
Neon nights inspired artwork for Vancouver based artist Son of James EP 'Dragons in the Sky'. Title treatment and some additional post-production by Paul Irwin.
Client: Self-initiated
Usage: 'Leland Palmer' piece published in Twin Peaks: Glorious & Bizarre art book
Art Direction: Self-directed
Watching Twin Peaks at 11 years of age, the American suburban fairytale that I had grown up with through 1980s Television and Film was now permeated with dark forces from parallel worlds and a hidden underlying reality.
This is my ongoing illustrated tribute. During a recent trip to the US I visited some of the real world locations as I traveled through Washington State and took a lot of photographs which helped as added reference for some of the iconic settings.
For me Twin Peaks is a disturbing, funny, absurdist exploration of the eternal struggle between good and evil in the undercurrents of our subconscious.The mastery of mood and setting, including the stripped-back use of vintage colour palettes to evoke nostalgia that contrast with darker atmospheric imagery are key influences on my work.
Client: Steelarchive
Usage: Blu-ray Packaging
Art Direction: Self-directed
Artwork for limited edition Blu-ray release of Denis Villeneuve’s ‘Prisoners’ for Steelarchive.
Client: Paramount Pictures
Usage: Social Media Promotion
Art Direction: Matt Andrée Wiltens
Illustrations for social media promotion of the new live action Ghost in the Shell film.
I had the great privilege of being invited by Paramount Pictures to the set in Wellington, New Zealand last year to join a small team of artists from around the world. We were given an exclusive tour of the sets, vehicles, props, pre-production visuals and costumes that shaped the film with the aim being to inspire us to create pieces in response to the experience. It was an unforgettable few days and I was lucky to meet some amazing people including the key creatives and crew working on the film.
Client: Self-Initiated / Steelarchive
Usage: Blu-Ray Cover
Art Direction: Self-directed
“ Two years he walks the earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual pilgrimage. Ten days and nights of freight trains and hitchhiking bring him to the Great White North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild. "
Alexander Supertramp, May 1992
(Christopher McCandless)
This is my unofficial illustrated poster paying tribute to the great biographical adventure by Jon Krakauer, adapted into the film by Sean Penn.
This piece received a merit award in the 3x3 Magazine Professional Show No.13.
Steelarchive released a limited edition Blu-ray of the film including a slip case featuring my original artwork. I was also commissioned to create new artwork for the back cover and spine and decided to continue the scene around the full wrap. This edition of 500 is now sold out.
The updated artwork received an award of excellence in the 58th Communication Arts Illustration competition and can be seen in the 2017 Illustration Annual.
Client: COLLiDE
Usage: Editorial - Magazine Cover
Art Direction: Gigie Hall
Cover illustration for COLLiDE's Travel With Purpose Volume 4 in partnership with Graduate Hotels.
Client: Planeta De Libros
Usage: Book Cover
Art Direction: Laura Comellas
Book cover design and illustration and back cover spot for Austral Intrepid's Spanish language edition of 'Journey to the Centre of the Earth' by Jules Verne.
Client: Land Rover / Foxtrot Papa
Usage: Book Interiors
Art Direction: Alex England
Icon is an official Land Rover book celebrating the life of their Defender and Series models including stories of epic overland adventures undertaken by their owners. It was a great honour to be asked by the London-based studio Foxtrot Papa to contribute illustrations for four of these stories.
Client: Steelarchive
Usage: Blu-ray Packaging
Art Direction: Self-directed
Artwork for limited edition Blu-ray release of Denis Villeneuve’s ‘Prisoners’ for Steelarchive.
Client: The World Bar
Usage: Advertising including Print, Outdoor, Digital
Art Direction: Steve Ward
Illustration for an adventure and exploration themed campaign run by 'The World Bar' in Queenstown, New Zealand.
Client: Self-initiated
Usage: 'Leland Palmer' piece published in Twin Peaks: Glorious & Bizarre art book
Art Direction: Self-directed
Watching Twin Peaks at 11 years of age, the American suburban fairytale that I had grown up with through 1980s Television and Film was now permeated with dark forces from parallel worlds and a hidden underlying reality.
This is my ongoing illustrated tribute. During a recent trip to the US I visited some of the real world locations as I traveled through Washington State and took a lot of photographs which helped as added reference for some of the iconic settings.
For me Twin Peaks is a disturbing, funny, absurdist exploration of the eternal struggle between good and evil in the undercurrents of our subconscious.The mastery of mood and setting, including the stripped-back use of vintage colour palettes to evoke nostalgia that contrast with darker atmospheric imagery are key influences on my work.
Client: Paramount Pictures
Usage: Social Media Promotion
Art Direction: Matt Andrée Wiltens
Illustrations for social media promotion of the new live action Ghost in the Shell film.
I had the great privilege of being invited by Paramount Pictures to the set in Wellington, New Zealand last year to join a small team of artists from around the world. We were given an exclusive tour of the sets, vehicles, props, pre-production visuals and costumes that shaped the film with the aim being to inspire us to create pieces in response to the experience. It was an unforgettable few days and I was lucky to meet some amazing people including the key creatives and crew working on the film.
Client: Self-initiated
Usage: Limited Edition Art Prints
Art Direction: Self-directed
Of all Jack Kerouac's books I found 'Lonesome Traveler' to be his most transportative and immersive, in particular a chapter where he journals his experiences during the summer of 1956 when he worked as a fire lookout on Desolation Peak in Washington State.
Drawing from the startling imagery conjured by his writing and my own travels to the Pacific Northwest I made these visual responses.
A limited run of art prints are available here.
Client: Deschutes Brewery
Usage: Beer label and 6-pack
Art Direction: Kara Davison
Illustration for beer label and 6-pack for rebrand of Hop Henge IPA. For only the second time in Deschutes history the artwork was reworked for 6-pack packaging.
Client: Self-initiated
Usage: 'Leland Palmer' piece published in Twin Peaks: Glorious & Bizarre art book
Art Direction: Self-directed
Watching Twin Peaks at 11 years of age, the American suburban fairytale that I had grown up with through 1980s Television and Film was now permeated with dark forces from parallel worlds and a hidden underlying reality.
This is my ongoing illustrated tribute. During a recent trip to the US I visited some of the real world locations as I traveled through Washington State and took a lot of photographs which helped as added reference for some of the iconic settings.
For me Twin Peaks is a disturbing, funny, absurdist exploration of the eternal struggle between good and evil in the undercurrents of our subconscious.The mastery of mood and setting, including the stripped-back use of vintage colour palettes to evoke nostalgia that contrast with darker atmospheric imagery are key influences on my work.
Client: Land Rover / Foxtrot Papa
Usage: Book Interiors
Art Direction: Alex England
Icon is an official Land Rover book celebrating the life of their Defender and Series models including stories of epic overland adventures undertaken by their owners. It was a great honour to be asked by the London-based studio Foxtrot Papa to contribute illustrations for four of these stories.
Client: University of La Verne
Usage: Editorial
Art Direction: Maureen Panos
'Everyday Leaders' editorial illustrations for University of La Verne Voice Magazine, Spring 2018.
Client: Land Rover / Foxtrot Papa
Usage: Book Interiors
Art Direction: Alex England
Icon is an official Land Rover book celebrating the life of their Defender and Series models including stories of epic overland adventures undertaken by their owners. It was a great honour to be asked by the London-based studio Foxtrot Papa to contribute illustrations for four of these stories.
Client: Self-initiated
Usage: N/A
Art Direction: Self-Directed
Tribute artwork to the film ‘Turbo Kid’. Made with the kind permission of RKSS Films, EMA Films, Epic Pictures, T&A Films, Benoit Beaulieu and Shaked Berenson.
Client: BBC Top Gear Magazine
Usage: Editorial - Full Page
Art Direction: Andy Franklin & Elliott Webb
Various map illustrations for BBC Top Gear Magazine.
Client: Self-initiated
Usage: Limited Edition Art Prints
Art Direction: Self-directed
" I could not help thinking of the tall man I had seen on the previous night, who was now dead, drowned, tossing about on the long swell, two or three hundred miles astern. "
Illustrating a scene from 'The Upper Berth', a classic Ghost Story by F. Marion Crawford. This piece received a merit award in the 3x3 Magazine Professional Show No.13.
A limited run of art prints are available here.
Client: Self-initiated
Usage: Art Prints
Art Direction: Self-initiated
Illustrating a scene from ‘A tale of an Empty House’, a classic Ghost Story by E.F. Benson.
A limited run of art prints are available here.
Client: Self-initiated
Usage: Limited Edition Art Prints
Art Direction: Self-directed
Parque del Capricho was constructed by the Duchess of Osuna during the 18th & 19th centuries & it's history & connections with Francisco Goya conjured visuals that sparked this personal project.
A limited run of art prints are available here.
Client: Self-initiated
Usage: N/A
Art Direction: Self-directed
Self-initiated portrait of legendary beat poet and author Jack Kerouac.
Client: BBC Top Gear Magazine
Usage: Editorial - Full Page
Art Direction: Andy Franklin & Elliott Webb
Various map illustrations for BBC Top Gear Magazine.
Client: University of La Verne
Usage: Editorial
Art Direction: Maureen Panos
'Everyday Leaders' editorial illustrations for University of La Verne Voice Magazine, Spring 2018.
